NO STRINGS THEATRE PRODUCTIONS
Charitable organizationEducation in the arts·254 - 601 CHRISTIE ST · TORONTO, ON · M6G 4C7·BN 801042409RR0001·website ↗
Last reported: F2024 filing · period ending 2024-08-31
Cents to cause T1
78¢
of each dollar spent, to programs
Operating overhead T1
22%
typical range 5–35%
Reserves T1
—
not in this filing
Revenue T1
$57K
not reviewed by an analyst (Charity Intelligence)
— means the filing doesn't include the lines needed; details and sources below.·How to read these figures
Common questions
How do I donate to No Strings Theatre Productions?
You can search for it on CanadaHelps or give directly through its own website. Charity Compass never handles your money — we only link out to where you can give.
Is No Strings Theatre Productions a registered charity?
Per CRA records, it filed a F2024 T3010 return under charity number 801042409RR0001. Registration status can change, so check the CRA charities listing for its current status. Only a currently registered charity can issue an official donation receipt.
Where is No Strings Theatre Productions located?
Per its F2024 T3010, its address on file is 254 - 601 CHRISTIE ST, TORONTO, ON, M6G 4C7. Source.
What does No Strings Theatre Productions do?
In its own words, from its F2024 T3010 filing: "ONGOING PROGRAMS Our Emerging Artists Program (19-35) invites participants who are studying or have recently graduated from a performing arts training program to further develop their skills under the mentorship of experienced industry professionals. Participants in the program will be responsible for all aspects…" Full program description.
How much of No Strings Theatre Productions's spending goes to programs?T1
Per its F2024 T3010, 78¢ of each dollar it spent went to programs (self-reported, not independently verified). Full figures.
How big is No Strings Theatre Productions?T1
Its last-reported revenue was $57K (F2024), which places it in Charity Compass's under $1M revenue band, alongside 27,629 other operating charities.
What it does — in its own words
Ongoing programs
ONGOING PROGRAMS Our Emerging Artists Program (19-35) invites participants who are studying or have recently graduated from a performing arts training program to further develop their skills under the mentorship of experienced industry professionals. Participants in the program will be responsible for all aspects of the staging of a musical theatre production including performance stage and production management design and directing budgeting marketing and promotion. The program will also encourage exploration of new repertoire for musical theatre through table reads workshops … Show more
ONGOING PROGRAMS Our Emerging Artists Program (19-35) invites participants who are studying or have recently graduated from a performing arts training program to further develop their skills under the mentorship of experienced industry professionals. Participants in the program will be responsible for all aspects of the staging of a musical theatre production including performance stage and production management design and directing budgeting marketing and promotion. The program will also encourage exploration of new repertoire for musical theatre through table reads workshops and developmental projects. This program is appropriate for participants in post-secondary education or those who are launching careers in theatre performance or production. MANY VOICES MANY STORIES - Development of new works by and/or for New Generation (Emerging) Artists In re-imagining our programming and desiring to encourage a new and progressive 'look' on our future stages we unveil our Many Voices Many Stories - telling the untold stories of Canadian history through artistic expressions of workshops and productions and supporting the development of new works by New Generation (Emerging) Artists. The Development of Dario et La Diablesse: A Caribbean Musial by Saskia Louison and Darryl Joseph-Dennie July 2021 is the inaugural season of this program. In 2022 and 2023 we presented a table read then a full production respectively of 'The Storyteller' by Kathleen Mills (based on Seasonal Affective disorder). In 2024 we presented 'Levels the Play' by C J Jura and Abby Grass (based on mitigating racial inequality and destigmatizing gender identification in older teens).
New programs
(ongoing continued) Sponsorship and University Scholarships for emerging artists The pandemic has made it difficult for many performing artists to continue pursuing their dreams. Because of the support from our generous donors we were able to offer two tuition scholarships to support BIPOC identifying students at Sheridan College and McGill University. NST annually supports 1 student scholarship prize of $1 000 for a first-year Sheridan student's tuition support (The Denise Williams scholarship). NEW PROGRAMS AND AFFILIATIONS In association with William Shookhoff’s Opera by Request No S… Show more
(ongoing continued) Sponsorship and University Scholarships for emerging artists The pandemic has made it difficult for many performing artists to continue pursuing their dreams. Because of the support from our generous donors we were able to offer two tuition scholarships to support BIPOC identifying students at Sheridan College and McGill University. NST annually supports 1 student scholarship prize of $1 000 for a first-year Sheridan student's tuition support (The Denise Williams scholarship). NEW PROGRAMS AND AFFILIATIONS In association with William Shookhoff’s Opera by Request No Strings Theatre provides opportunities for emerging artists to learn opera practices and roles from establish mentors in ‘training to showcase’ style program. The final opera performances are performed in a site-specific rural area to allow the rural communities to experience more live performances. PUBLIC PRESENTATIONS SummerStage Productions (June-August) (Includes: 1 Emerging Artist new work 1 licensed show and 1 opera presentation in collaboration with ‘Opera by Request’.) 2022 The Storyteller by Katheen Mills (table read of an Emerging Artist’s new work) Spring Awakening by Duncan Sheik and Steven Sater Le Nozze di Figaro/The Marriage of Figaro W. A. Mozart (opera intensive and outdoor showcase) 2023 The Storyteller by Katheen Mills (full production of an Emerging Artist’s new work) Carmen Georges Bizet (opera intensive and showcase) Opera Brew HaHa (opera pub performance event) 2024 Amahl and the Night Visitors Gian Carlo Menotti (arts in community engagement) Levels the Play by C J Jura and Abby Grass (Emerging Artists’ new work) Die Zauberflöte/The Magic Flute W. A. Mozart (opera intensive and outdoor showcase) Opera Brew HaHa (opera pub performance event)
Program descriptions from its F2024 T3010 filing, verbatim · self-reported · this is also the text our semantic search matches against. source ↗
Tier 1 — what we computed (open data)
From the charity's own F2024 T3010 filing. Self-reported; not independently verified. You can recompute every figure. New to these terms? Read what cents to the cause, overhead and reserves mean.
78¢
Per its F2024 T3010, 78¢ of each dollar spent went to programs. The rest ran the organization and raised money; higher is not automatically better.
Sector median: 89¢ across 55,155 computed charities; 89¢ among those its size (under $1M).
this charity 78¢ · sector median 89¢ · all 55,155 computed charities
T3010 line 5000 ÷ 4950 · Self-reported on the T3010; not independently verified. source ↗ · what this means
22%
Management, administration, and fundraising as a share of total spending. We treat 5–35% as the typical range; we state the figure, you judge.
T3010 line (5010 + 5020) ÷ 4950 · Self-reported on the T3010; not independently verified. source ↗ · what this means
—
Not reported in this filing: the return leaves out the lines this figure needs, so we show nothing rather than an estimate.
T3010 line (4100 + 4140) ÷ 5000 · Self-reported on the T3010; not independently verified. source ↗ · what this means
Total revenue
T1 · computed (open data)$57K
Last-reported total revenue.
T3010 line 4700 · Self-reported on the T3010; not independently verified. source ↗
Donor-funded
T1 · computed (open data)53%
Share of revenue from receipted donations.
T3010 line 4500 ÷ 4700 · Self-reported on the T3010; not independently verified. source ↗
8%
Share of revenue from federal, provincial, and municipal sources.
T3010 line 4570 (or 4540+4550+4560) ÷ 4700 · Self-reported on the T3010; not independently verified. source ↗ · what this means
Where the money comes from
Shares of last-reported revenue, per its F2024 T3010. Self-reported; not independently verified.
Receipted donationsT1
53%
T3010 4500 ÷ 4700
GovernmentT1
8%
T3010 4570 (or 4540+4550+4560) ÷ 4700
Other revenueT1
39%
T3010 remainder ÷ 4700
Self-reported on the T3010; not independently verified. source ↗
Over the years
Every figure as filed at each fiscal period end, 2019–2024.
| Period end | Revenue | Cents to cause | Overhead | Reserves |
|---|---|---|---|---|
| 2019-08-31 | $36K | 66¢ | 34% | — |
| 2020-08-31 | $38K | 79¢ | 21% | — |
| 2021-08-31 | $75K | 89¢ | 11% | — |
| 2022-08-31 | $94K | 93¢ | 7% | — |
| 2023-08-31 | $84K | 92¢ | 8% | — |
| 2024-08-31 | $57K | 78¢ | 22% | — |
| trend |
Swipe sideways to see every column.
From its T3010 filings (CRA annual releases) · self-reported, not audited by us · when a period is restated in a later release, the newest figures are shown · ✱ = cents-to-cause outside the valid 0–100% range (filing error; not used in rankings). source ↗
★ Tier 2 — Charity Intelligence (analyst-reviewed)
Not rated by Charity Intelligence. Their analysts cover 819 of Canada's 83,761 charities; absence of a rating says nothing about this charity. Our computed figures above stand on their own.
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Same CRA category, revenue within 20× of this one, and the closest program descriptions in their own filings. A shortlist to compare, not a ranking.
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Figures per each charity's F2024 T3010 · self-reported, not audited by us · ✱= that filing's expense lines don't reconcile · open a profile for sources and caveats.
Board of directors
10 directors reported · 6 of 10at arm's length
- CUNHA, BRIANPRESIDENTarm's length
- SAMPSON, KARENSECRETARYnot at arm's length
- WILLIAMS, DENISEARTISTIC DIRECTORarm's length
- NICHOLSON, BRONWENBOARD MEMBERarm's length
- WALLING-SAMPSON, EULALIEBOARD MEMBERnot at arm's length
- DZIEDZIOLA, JANINABOARD MEMBER
- ASHLEY, BEAUTHYBOARD MEMBER
- SEELEY, MATTHEWMARKETINGarm's length
- MAO, KEVINTREASURERarm's length
- CORLETT, IANCHAIRMANarm's length
From its F2024T3010 filing (public CRA record), as filed. “Arm's length” means not related to other officials by family or business ties. source ↗
Right of reply
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